In Giudizio Universale (Last Judgment), Giacomo Matarazzo reimagines Fernando Botero’s harrowing Abu Ghraib triptych through the vibrant chromatic drama of Michelangelo’s Sistine Chapel. The artist deconstructs heavy, bound figures into his signature geometric blocks of intense color, contrasting striking lapis blues with vivid flesh tones. By merging severe structural rigor with visceral human suffering, Matarazzo transforms a dark moment in contemporary history into a bold, unforgettable masterpiece of psychological tension.


Giudizio Universale
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